Movie is dealing with the Politics in its base, It is not the best among that genre, but way too different from those all .
“ The characters in this film dosent have any resemblance with . . “ enn ezhuthi kaanichapolee njn urapichadha, this definitely got something from the real lives at present. And my guess came true ; ) Murali Gopi got his criticisizing with many present political issues and other social things, applause for those dare attempt, I can feel that fire inside, however me neither always wanted to do the same with these fucking politicians like you did in your climax .
The best thing about LRL is its powerpack performances by the actors, the BEST .
Especially the actress who played as Indrajith’s mother, she was marvelous, her sudden changes in expressions and dialogues, You really made me a WOW and Hareed paredi ( as Kaitheri Sahadhevan )
demands an appreciation. As usual Indrajith, Murali, Lena, Sreejith ravi ellaavarum avarude best thane thannu predheekshichadh pole thane .
And my personal favourite is Ramesh Pisharady. This time he appears entirely as a serious character. Even though he got less scenes, he showed his excellence with his serious role .
Murali gopi as writer ! namichu njan ningale _/\_
Well carved script and acting, but one thing I didn’t like is what, Suraj Venjaramod’s character. He got nothing to do with the script, and too a failure. You should have avoided that character, thus it would also help to minimize the duration of the movie .
Arun kumar aravind ! Brilliant work .
Great direction and script demanding editing, parayaandirikaan vayya, climax’le aa ‘light in-out’ effect !
Wooh ! breath taking for that scene .
Music by Gopi sundar was apt, interesting as usual .
DOP was ok, adhigam complicationso onum illa, cinema demand cheythath perfect aayi koduthu .
And finally, for those who are yet to . .
This isn’t an EAK type movie, so please don’t get into it with that hype .
I wont say LRL will satisfy all kinda audience, Firstly as it contains much a serious subject, and secondly as it dosent contain the pace of EAK. Ith paranjadh vere onnumkond alla, chila avanmaark LRL EAK aayi compare cheyth ‘padam poraa’ ‘pretheeshicha athrakilla’ ennoke parayum ( angane keatu chiladh ), Ingane compare cheyyunna aalugalod enik aage ulladh Sahathaapam maathramaanu .
And at the theatre one who was sitting to my left was yawning everytime right from the 2nd half, artificial aanenn avante voice raise yawning ketaale ariyaam ( ma ma . . mathengathalayan ), never mind them .
I recommend it as a MUST WATCH .
And em pretty sure that our audience will give LRL what all it deserves .
Thank You :')
“ The characters in this film dosent have any resemblance with . . “ enn ezhuthi kaanichapolee njn urapichadha, this definitely got something from the real lives at present. And my guess came true ; ) Murali Gopi got his criticisizing with many present political issues and other social things, applause for those dare attempt, I can feel that fire inside, however me neither always wanted to do the same with these fucking politicians like you did in your climax .
The best thing about LRL is its powerpack performances by the actors, the BEST .
Especially the actress who played as Indrajith’s mother, she was marvelous, her sudden changes in expressions and dialogues, You really made me a WOW and Hareed paredi ( as Kaitheri Sahadhevan )
demands an appreciation. As usual Indrajith, Murali, Lena, Sreejith ravi ellaavarum avarude best thane thannu predheekshichadh pole thane .
And my personal favourite is Ramesh Pisharady. This time he appears entirely as a serious character. Even though he got less scenes, he showed his excellence with his serious role .
Murali gopi as writer ! namichu njan ningale _/\_
Well carved script and acting, but one thing I didn’t like is what, Suraj Venjaramod’s character. He got nothing to do with the script, and too a failure. You should have avoided that character, thus it would also help to minimize the duration of the movie .
Arun kumar aravind ! Brilliant work .
Great direction and script demanding editing, parayaandirikaan vayya, climax’le aa ‘light in-out’ effect !
Wooh ! breath taking for that scene .
Music by Gopi sundar was apt, interesting as usual .
DOP was ok, adhigam complicationso onum illa, cinema demand cheythath perfect aayi koduthu .
And finally, for those who are yet to . .
This isn’t an EAK type movie, so please don’t get into it with that hype .
I wont say LRL will satisfy all kinda audience, Firstly as it contains much a serious subject, and secondly as it dosent contain the pace of EAK. Ith paranjadh vere onnumkond alla, chila avanmaark LRL EAK aayi compare cheyth ‘padam poraa’ ‘pretheeshicha athrakilla’ ennoke parayum ( angane keatu chiladh ), Ingane compare cheyyunna aalugalod enik aage ulladh Sahathaapam maathramaanu .
And at the theatre one who was sitting to my left was yawning everytime right from the 2nd half, artificial aanenn avante voice raise yawning ketaale ariyaam ( ma ma . . mathengathalayan ), never mind them .
I recommend it as a MUST WATCH .
And em pretty sure that our audience will give LRL what all it deserves .
Thank You :')
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